Sorry about the length of this post.
Gnarls Doin’ Tha Damn!
I have a deep appreciation for what Cee-Lo and Danger Mouse have created in Gnarls Barkley. In times where it feels like “doing you” is a combination of what you want out of yourself, what/who you imagine and know yourself to be, what/how you believe others see you, trying to be what you believe others want and desire, etc, they seem to be authentically doing what they truly want.
Even without drugs! That’s Craaaaaaaazaaaaaaaay.
I believe their song “Crazy” became such a huge international hit because Cee-Lo really struck a chord with his lyrics.
I thought this version was dope!
I don’t think it was just me, but when I was in college I definitely was in a struggle of feeling like I had literally lost my grip on what reality was and was not. And it wasn’t because I didn’t know enough, I just knew too much! The realizations that I was having about the world that I was living in were so different than what was/is expected of me/us and with what fits in as the ‘norm.’ It is even crazier when you are a person of color dealing with these issues. Our communities are so contained within racist oppressive institutions (i.e. prison, poverty, white supremacy, capitalism etc.) that expanding our collective vision and imagining new worlds where racism, sexism, and homophobia don’t exist is damn near taboo to even speak on.And you didn’t have to go to college to feel that way, that’s just how it happened for me.
Professor Rose draws parallels between capitalism, performing blackness, & sexism
Transformer, lightweight screwed up!
It’s hard to be a heterosexual black/multi-racial male especially in rap music and speak out against homophobia especially in communities where everything “wierd” and “different” or hard to understand is labeled ‘faggot’ and/or ‘gay.’ The same goes with issues of sexism and gender roles. Be a male and show weakness and vulnerability and risk being labeled a ‘bitch’ and/or a ‘pussy,’ which inherently belittles womyn.
In that BET panel about hip-hop which had a live audience (which was a pretty bad format in which to have a real dialogue, and was actually pretty terrible and unproductive), after Michael Eric Dyson had tied Nelly’s infamous credit card swipe down a black woman’s ass to the history of sexual exploitation during slavery by slave-masters and their female slaves, T.I. responded, “It’s not that deep!” and the crowd erupted in laughter. It is that deep I just don’t think that anybody they let on these panels has addressed sexism and homophobia in Hip-Hop in a way that makes sense to people, and those who know how to express it and make it make sense are NEVER invited to speak on those panels, and I suspect that even if they are invited they know that these media outlets aren’t actually working to address the problems they are simply shooting for ratings. And I feel like the laughter comes from not knowing how to speak on these issues.
You tellin’ me if professor Trica Rose got on that panel and spoke on sexism and homophobia in Hip-Hop people wouldn’t understand?!? Hell yea people would understand, but it’s always the same people talking in the same unproductive conversations. And it’s poor and working class people of color who are being kept out of institutions of higher education and being left to try and make it through the economically and politically abandoned public school system.
This post really was never supposed to get that deep, but if you’re an early 80’s baby and you grew up listening to Hip-Hop then you probably grew up listening to the Dungeon Family. It seems like the progressions in my life have always lined up with the progressions that groups like Outkast and members like Cee-Lo have had in their music. I think that Cee-Lo had been trying to find the right way to go crazy since his solo career had begun and Organized Noize, Timbaland nor the Neptunes could come up with a way for him to do that. Danger Mouse provided him the perfect canvas that he needed to be unrestrained by the convention and the limiting world that Hip-Hop has become, (although I also believe that even this is changing). Cee-Lo is very introspective and so are all the great musicians that we love. They put their thoughts out their in cool ways and that’s why we love them.
And I could go on, and on, and on, but who cares?…
Posted by SlaveName
Posted by SlaveName
Posted by SlaveName
